The publications and sound works in the series explore the voice’s ability to shift seamlessly between signification and sonority, from speech sound to noise. Questions of linguistic ambiguity, embodied voicing and the feeling/ meaning are investigated in relation to the place and presence of the performed voice.

So far, this has included visual scores, creative essays, interdisciplinary writing and sound works commissioned from artists, writers, performers and vocalists.

The project started as a continuation of Lydgalleriet’s Writer in Residence pilot in 2020-21, where Brzeski responded to the exhibition program. The first series of Vibrational Semantics was funded and co-produced by Lydgalleriet/ Oscillations- Exercises in Resilience/ Creative EU. Vibrational Semantics is now an independent press run by Brzeski.